Spirit and Matter, God and Chaos, or infinitude Finite Essays -- Phil

The Kingdom of Union and Joy go off only be attained with the crown and expansion of eye which is influenced by its intricate relationship with case. They reflect, inverse and alter one some other depending on the nature of their alliance and challenge the pervading intuition that one entertains concerning hierarchy, the headmaster and the inferior, rising and falling. Throughout the poem, the prophetic mental image enlightens the reader on the demeanor to ascend to the uncanny realm via tales on base spirits, on praiseful and praised bodies -- thus, purveying a dynamic dramatisation of the fall. Mammon and the Son atomic number 18 two spiritual figures that typify the convoluted relation amongst matter and spirit. In their description, the persona invites the reader to compare the attitudes of these characters towards the material world and the fashion in which they obligate their spirits to it. Mammon is the least erected Spirit that fell / From Heavn (1.679-80). Pos sessed by a boundless desire for The riches of Heavns pavement, trodn Gold (1.682) -- towards which his thoughts are bent -- he already manifests a vertical movement in his heavenly status as he sinks low within the highest realm of the universe. The narrators speech transcribes the discontinuity of Mammons spiritual rank through the juxtaposition of inversely connotative words such as the succession least - erected - fell - Heavn. Being the classical symbol of greed, he aspires to elevation by means of material abundance. Even when fallen, he persuades himself and his fellow companions of a possible good life in hell provided they exploit its treasures. From thence, say by Mammon, the crew proceeds to violently abuse the earth whos centre they Ransack and with ... ... his Humiliation shall exalt (3.313). The Sons aristocracy shall ensue from his submission as the bounds established on matter shall, in due course, allow for the Kingdom of Union and Joy. While Mammon perceives homage as a divine deception, the Son rationalises it by coupling instrumental actions with gratifying results through grammatical conjunctions. Though, he first Lies vanquisht, yields to Death and suffers, he ultimately will rise Victorious, subdue / His Vanquisher and demilitarise him. The Son portrays this outcome as inevitable by overusing conjunctions, such as though - yet - but - then as well as by the repetitive use of shall, thus expressing the strength of his assertion (3. 234-65). Therefore, dryness leads to the profusion of spirituality as it mirrors creation and recognises the intimate connection between matter and spirit.